Malayalam film Bangalore Days boasts of fine performances, says Paresh C Palicha.
The narrative has some gaping holes, but one can ignore them as the subject is not dealt in a serious or profound manner.
Only the hardcore Mohanlal fans will like Mr Fraud which is otherwise an uninteresting film.
Mosayile Kuthirameenukal is visually enchanting, so watch it in spite of some flaws.
1 by Two is a let down considering the expectations it had raised before its release
Kammatipaadam is a gangster movie with a difference and a must watch, for sure.
Nagaravaridhi Naduvil Njan does not bring any festive cheer.
Rather than watching Aamayum Muyalum, the DVDs of Priyadarshan's old films would be a better option.
Ezhu Sundara Rathrikal may have been an attempt to look at the fickleness of relationships in today's times in a humourous way but it does not have the desired effect.
The film makes an effort to add sparkle to the so-called 'new gen' formula, but ends up being a damp squib.
Punyalan Agarbatthis is a well executed film with Jayasurya along with the rest of the cast giving a likable performance.
Malayalam film Nadodimannan doesn't work, according to Paresh C Palicha.
Fahadh Faasil is in top form in Maheshinte Prathikaaram, feels Paresh C Palicha.
Ivide tries to tackle a lot of things but ends up satisfying none.
Arikil Oraal had a lot of potential but fizzles out by the end.
The director A V Sasidharan depended too much on lead actor Fahadh Faasil's popularity and forgets everything else.
The director could have done better by avoiding the cliched tales.
SuSu Sudhi Vathmeekam handles the subject of physical limitations judiciously without trying to manipulate a viewer's emotions, writes Paresh C Palicha.
Malayalam film The Dolphins gets preachy after a while, says Paresh C Palicha.
32aam Adhyayam 23aam Vaakyam is a disappointing affair because of the careless handling of the subject, says Paresh C Palicha.
With Premam, director Alphonse Putheran proves that he has the knack of presenting themes that have blockbuster written all over, writes Paresh C Palicha.
Rajadhi Raja is a lacklustre Onam release, writes Paresh C Palicha.
Leela may carry the buzz that it deals with a controversial subject, but there is nothing objectionable in the film, says Paresh C Palicha.
Ormayundo Ee Mukham is fluffy and breezy but disappointing.
Escape from Uganda is a film that tries to thrill but fails to do so.
'My aim as an actor is to make the audience believe that the person they are seeing on screen is not me but the character.' Parvathy discusses her real-life character role in Ennu Ninte Moideen.
Bangalore Days director Anjali Menon discusses her films and more.
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The film may have worked better as a documentary.
Naku Penta Naku Taka is a disappointment considering the promise it carried.
Malayalam film 101 Chodyangal is a touching tale.
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The story does not have any subtlety, everything that the director wishes to convey has been overtly pronounced by the actors through their dialogues.
Actor turned director Vineeth Kumar talks about his directorial debut and his passion for films
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